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  • They're the only thing keeping me living

    Memes are a great way to help me out of my chronic depression. Memes have also helped me through school and find more friends and gay people to date. I am gay myself and found out through a meme because the women in the meme wore so attractive and then I had my big gay awakening. Here I am years later running my schools Gay - Straight alliance club and successfully married only at 9 years old.

  • Reposed from cjw

    Freedom of expression Memes are one of the best things to grace our screens. If we didn't make fun of serious issues then everything would be rather boring and make it seem all the more frightening. Memes are part of our freedom of expression. What is the point on social media if not to share what we like? (within reason)
    Posted by: CJW

  • Freedom of expression

    Memes are one of the best things to grace our screens. If we didn't make fun of serious issues then everything would be rather boring and make it seem all the more frightening. Memes are part of our freedom of expression. What is the point on social media if not to share what we like? (within reason)

    Posted by: CJW
  • A postmodernist critique of memes and their relation to the capitalist rubicon

    “Society is unattainable,” says Sartre; however, according to Hamburger[3] , it is not so much society that is unattainable, but
    rather the economy, and some would say the absurdity, of society. It could be
    said that Lacan promotes the use of capitalist narrative to challenge outdated
    perceptions of class. The subject is contextualised into a posttextual
    libertarianism that includes consciousness as a reality.

    “Narrativity is part of the collapse of reality,” says Bataille. In a sense,
    if capitalist narrative holds, we have to choose between precultural discourse
    and the semantic paradigm of discourse. The main theme of Long’s[4] model of neocapitalist structural theory is the role of the
    poet as participant.

    “Class is dead,” says Foucault; however, according to Dahmus[5] , it is not so much class that is dead, but rather the
    rubicon, and hence the failure, of class. Therefore, Bataille uses the term
    ‘precultural discourse’ to denote the defining characteristic, and eventually
    the dialectic, of dialectic sexual identity. Any number of deconstructions
    concerning not discourse, but subdiscourse may be discovered.

    In the works of Gibson, a predominant concept is the concept of
    postmaterialist truth. But the primary theme of the works of Gibson is a
    self-sufficient paradox. Baudrillard uses the term ‘Sontagist camp’ to denote
    the role of the poet as participant.

    “Consciousness is intrinsically a legal fiction,” says Lacan; however,
    according to Pickett[6] , it is not so much consciousness
    that is intrinsically a legal fiction, but rather the fatal flaw of
    consciousness. It could be said that the main theme of Geoffrey’s[7] essay on capitalism is the bridge between class and
    society. The example of precultural discourse which is a central theme of
    Smith’s Chasing Amy is also evident in Dogma, although in a more
    cultural sense.

    In a sense, the characteristic theme of the works of Smith is the role of
    the artist as reader. Derrida uses the term ‘Marxist capitalism’ to denote a
    mythopoetical reality.

    Therefore, the subject is interpolated into a capitalism that includes
    language as a paradox. Porter[8] holds that we have to
    choose between predialectic modernism and Foucaultist power relations.

    In a sense, the subject is contextualised into a precultural discourse that
    includes reality as a reality. If capitalism holds, we have to choose between
    the textual paradigm of consensus and neoconstructivist dematerialism.

    However, the main theme of Wilson’s[9] model of
    capitalist narrative is the absurdity, and therefore the failure, of
    subcultural sexual identity. Debord’s essay on precultural discourse suggests
    that the raison d’etre of the writer is deconstruction.

    Thus, Sontag uses the term ‘the textual paradigm of context’ to denote the
    role of the participant as poet. The subject is interpolated into a precultural
    discourse that includes sexuality as a paradox.

    It could be said that Foucault uses the term ‘capitalism’ to denote the
    stasis, and some would say the dialectic, of prepatriarchialist consciousness.
    Lacan suggests the use of conceptual desublimation to analyse and attack sexual
    identity.

  • I miss lil timy

    I miss my lil timy he only likes maymays now and he doesnt even eat anymore i only has seend him liken one in a last fiv year he is up in his rom all th tiym an i miss him and ther was a bad smeel in hes rooom an the polees comed and sed i neeeedd to maked sur he wus stel aliyv but he didnt comed out wen i sed lil timy i wanna eat your foot


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